If anyone needed any more convincing evidence that Pitchfork Media is trying to distance itself from Brian Eno's history and any mathematical rigor they need look no further than the most recent review of the Yeah, Yeah, Yeahs song "Skeletons."
Ryan Dombal misses by a mile a glaring opportunity to mention, "The Big Ship" from Another Green World, instead ruminating cryptically on the difference between five inches across and six feet down. Let's figure it out: 72 inches -5 inches=67 inches. Quite a difference, as Dombal quite rightly observes, but to what end?
As I said, the song is quite fine, but it needs to be separated from Dombal's languorous relativist mathematics.
Public Pitchfork Watchdog of America is calling for a review by Pitchfork editor and founder Ryan Schreiber of the entire Dombal ouevre for such virtuosic soporifistics. What kind of unapproved FDA drugs are they using in that office, and how soon will it lead to a repeat of the epidemic of indoor folding scooter accidents that plagued young Silicon Valley technicians in the late 90's, robbing them of their health and able-bodiedness?
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